#scrapers for sale

[mylostgems]

Mesolithic Flint Tools – Genuine Stone Age Artefacts from Mauritania, North Africa – Certified Prehistoric Tools – Actual Specimens Shown

This listing offers authentic Mesolithic flint tools from Mauritania, North Africa, dating back to the Middle Stone Age (circa 10,000 to 5,000 BCE). Each piece was expertly chosen for its typological clarity and preservation, showcasing the skilled workmanship of early human toolmakers. These artefacts provide an invaluable glimpse into the daily lives and survival strategies of prehistoric hunter-gatherer communities in the Sahara region.

These tools were shaped from fine-grained local flint using percussion flaking and pressure retouch techniques, common to the Mesolithic period. The artefacts may include blades, scrapers, burins, or points, used for tasks such as butchering animals, woodworking, or hide preparation. Their design reflects evolving tool-making traditions and the increasing sophistication of Mesolithic societies.

This carefully selected tool is shown next to a 1cm scale cube to help demonstrate its true size. It comes with a Certificate of Authenticity confirming its genuine prehistoric origin.

Key Details:

Type: Flint Tool (Scraper / Blade / Point – type may vary per specimen)

Cultural Period: Mesolithic (Middle Stone Age)

Age Estimate: ~10,000 – 5,000 BCE

Material: Flint (chert)

Location Found: Mauritania, North Africa

Condition: Original surface with signs of intentional flaking

Authenticity: 100% Genuine – Certificate of Authenticity included

Photo: The exact specimen shown is the one you will receive

Archaeological & Collector Relevance: Mesolithic tools like these bridge the gap between Paleolithic hunter-gatherer technology and the Neolithic revolution. Their portability, precision, and specific use cases reflect changes in how early humans interacted with their environments. Collectors and educators prize these for their craftsmanship, historical importance, and rarity in well-documented locations such as Mauritania.

All of our Artefacts are 100% Genuine Specimens & come with a Certificate of Authenticity.

Fast & Secure Shipping – Professionally packed to protect your valuable piece of history.

Add a real Stone Age artefact to your collection with this authentic Mesolithic flint tool from Mauritania – a tactile connection to prehistoric innovation.

[technologyequality]

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[sociocosmos]

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[softwareerp]

Restaurant software is the best restaurant management system with a website and mobile application. You need a business plan and restaurant management system to accelerate your restaurant business. We have created a cost-effective software for you so that your restaurant billing software or restaurant POS software work together.

[bookmyordernew]

Exactly It happens when I see the menu Like this 😂😂😂😂😂😂 I believe that this is not a good practice to give big menu cards. I have written the menu example in my blog, you can read it to know why we need to have small restaurant menu ideas. https://www.bookmyorder.co/blog/small-restaurant-menu-ideas

[darlingdaisyfarm]

can I have something with Stan in his scamming era? (where he founded Stan Co. Enterprises) 🙏🙏 begging you because damn that man looked so hot here

💸₊˚⊹ kiss me, i’m not buying 𖦹.ᡣ𐭩˚ salesman!Stan Pines x reader

a/n: here it is! ugh, the grip this man has on me. i didn’t know whether to make this smut or sfw (believe me, i debated it for way too long), so i went the sfw route this time, but i’d be more than happy to write something spicier for salesman!Stan if y’all are interested !! 

you're standing in the middle of a sketchy flea market just off the highway and honestly it’s not exactly where you’d pictured spending your saturday afternoon, wandering through the rows of mismatched booths, scanning piles of junk that no sane person could ever need.

it's hot, too sticky, gross. your shirt clings to your back and you're already regretting stopping here.

but just as you’re about to leave, your eyes land on him. a man in a teal shirt with a collar so wide it’s begging for attention, leaving his chest hair on display that he’s clearly proud of, along with a chunky gold chain around his neck. his suitcase has clearly seen better days, but what sets him apart from the crowd is his wide smile, like he’s about to either sell you a miracle or steal your last dime. 

of course, you’d seen him around, not in person, but in loud, greasy ads on TV where he was always shouting, waving some half-broken thing, performing like it was gold, spitting promises about "how much you could make!" with a grin that could sell you your own reflection and make you think you needed to buy it.

and just because you’re lucky, he clocks you immediately. his eyes light up, oh a jackpot, Stan thinks. and before you can even pretend to be invisible, he’s striding over like he’s just found a hundred-dollar bill lying on the sidewalk. the suitcase bounces in his grip with each step and you’re already brainstorming ways to politely eject yourself from this situation.

"hey there, sweetie!" he talks warmly, kindly, so charismatic as if he’s known you forever and isn’t trying to scam you out of your wallet. “lookin’ for the deal of the century? 'cause I got it right here.” 

who even talks like that? your first thought is to walk away, but he doesn’t wait for your reply, flipping open his battered suitcase with a dramatic fwoosh, inside is a chaotic mess of. . . you don’t even know how to call it, whatever the hell this is.  

garbage. actual garbage.

“behold!” Stan announces, plucking out what looks like a glorified spatula, holding it up like it’s excalibur. “the ‘multi-purpose super-scraper deluxe!’ clears snow, scrapes gum, defends yer honor in a bar fight! this baby does it all.”

you blink, thinking, processing. then blink again. there’s no fucking way this man is serious.

“uh,” you squint at him, trying to keep a straight face. “why. . . would I need that?”  

Stan gasps like you just insulted his mother. “why wouldn’t ya? c’mon, sweetheart, yer too smart not to see the potential here! no more sticky messes, no more snowed-in mornings! and if some jerk at the bar gives ya trouble,” he mimics an exaggerated swing with the scraper, accompanied by sound effects. “you clock ‘em with the handle. it’s genius!”

your lips twitch, fighting not to curve into a grin. he’s ridiculous. his whole speech is absurd, but goddamn if it isn’t entertaining. he’s so into it, so unabashedly shameless, that you can’t help but laugh.

noticing your reaction, which he honestly expected, Stan leans closer, lowering his voice like he’s about to tell you some big, mind breaking secret. “tell ya what, baby. normally, this masterpiece’d run ya twenty bucks. but for you,” he winks. "fifteen! and maybe somethin’ else.”  

your brow arches. “somethin’ else? like what?”  

Stan rubs the back of his neck, pretending to be some shy, harmless guy who’s definitely not scamming you. “aw, nothin’ much. just a teensy lil kiss on the cheek, y’know, for good luck. gotta keep the ol’ sales streak alive!”

you freeze for a beat, caught off guard by his audacity and you hesitate. not because you’re scared, he’s too goofy to be threatening, but because you’re trying to figure out his angle. is he serious? does he actually think this will work?  

but the worst part is that it works. you hate yourself for not being able to reject, and him for being so damn smiley, friendly and charismatic. his shamelessness, his outrageous speech, the sheer brazenness, it all works against you in ways you hate to admit.

“fine,” you mutter, crossing your arms. “one kiss. but only if this thing actually scrapes gum off my shoe.”  

“deal!” his grin stretches impossibly wider in triumph, and you already know you’ve lost.  

you lean in cautiously, heart kicking up just a little, despite your best efforts to stay calm. it’s a kiss on the cheek. nothing weird. nothing big. quick, harmless, done. but just as your lips are about to brush his skin he— he what?!

the bastard moves, turns his head at the last possible second, so instead of his cheek, your lips collide with his.

you should stop, you must pull away and slap him hard for pulling that kind of shit, but for some reason you don’t. you let him kiss you and it feels warm, too good, contrary to his nature as a cunning salesman. Stan’s hand grazes your arm, daring you to stay in the moment even as your head spins. but then realisation comes, a little common sense hits you and you jerk back with wide eyes, looking at him in shock, stunned and breathless.

pleased with himself, Stan smiles cheekily at you with smug expression, looking as if he had just committed the greatest robbery of his life.

“well, what do ya know?” he chuckles, running a finger over his lips. “good luck for both of us.”  

what you don’t expect is to run into him again. weeks later, at another flea market, and then again at a diner on the highway.

the third time, Stan grins like it’s fate. “oh, ain’t this somethin’, sweetie? maybe the universe itself wants us to keep bumpin’ into each other.”

[montesmithart]

CONTENT THEFT account beware - rugrothchild!

This person takes my work, crops the watermarks, never gives the credit, and posts it to boost their sales. More information below

Hi guys! Usually I never post about stuff like that, but yesterday a mutual reached out to me telling there’s this account named rugrothchild on Instagram with 62K followers who posts tons of uncredited content and they took one of my photos as well, without even tagging/mentioning me as a creator. After multiple people reached out and asked them give me a credit, they not only didn’t take any action, but removed the comments and posted one of my photos again, this time cropping my watermark:

This person’s main content source is their own handmade stuff, however their “business strategy” is to mix it with lots of uncredited work taken from others, which they use to promote their account for the better traction.

I never give anyone the permission to repost my work (photography or art) without proper credit and with cropping my watermarks, especially when it’s done for self-promotion/activity farming on big scraper accounts like that. Smaller artists don't even come close to having the number of followers and activity that those who repost their work without their consent, and I just wanted to remind you how important it is to support an actual content creators, not the scrapers 🙌

[the-seelie-court-official]

i feel like our data is being sold to people who can't even use it because the data itself is considered valuable, like a cryptocurrency. do you follow? most of the data is just junk. it means nothing. of course there's bad actors and surveillance programs but i doubt they're getting Anything useful, much less -actionable- on the average user.

and that's why windows (etc) are introducing ai scrapers to try and pry up more data on the average user. data, even though it's junk data, is pretty much the only thing you can sell that isn't one-off sales of hardware. software is all subscriptions-based because buying it once isn't a growth-minded model.

advertisers buy data to make 'more effective' ads that still dont work and get served to irrelevant people, but advertisers are the only ones who can be relied on to continually pour money into a pit. it's all junk, it's all useless computations wasting clean water and electricity to generate money from bullshit. i.e., it's all cryptocurrency

[patricialupien]

Jesus Fucking Christ I hate Generative AI. I hate it with the passion of a thousand black holes. There is very little you can do to convince me that it has any purpose OTHER THAN TO PISS ME OFF!

Firstly, it's stealing. You're taking other people's art, other people's prose and passing it off as something you created, with no credit to the original innovator. It's being fed into a programmed sieve and turning someone's hard work into generic slop. It doesn't understand the original intent of the art and barfs it out and homogenizes it. (And for your information, I'm utilizing larger words just to fuck with the scrapers. Fear My Vocabulary Skills!)

Secondly, it's cheating. It's cheating creators of jobs to save a buck. The originators of the text that you stole to make your own AI story that you pushed up to Amazon Publishing to make a quick sale worked extremely hard to find the right words, the right phrasing in order to make the reader feel something. The journalists that are being pushed out of the press studied for years on how to present the facts in an unbiased way and still retain their style. Animators who have dreamed of working for a certain studio are being regulated (another big word) to storyboarding and cleanup because "AI will fill in the gaps." Voice Actors who have put nuance and subtlety into each phrase are having their voice patterns and pronunciations fed through and algorithm so that they won't be paid for future projects. Producers will just pull out a file labeled "J.K Simmons" or "Laura Bailey" and use their vocal likenesses without pay or accreditation.

I personally agonized for years on going back to school to get my degree in Graphic Design. But I realized that even with the background, no one would hire me without a Bachelor's Degree. So I went back to school. In total, it took me 18 years to finally get a Bachelor's degree in Graphic Design. I learned about proportion and color theory and techniques and tools, and I busted my ass! It took my free time, losing friends in the process. It took my money to get a degree. I have over 30 years of various experience from illustration to design, learning how to observe, to use tools as they evolved. I know about Gouache and watercolor and ink and anatomy. I know about Pagemaker and Quark and InDesign. Art has been my life. It's all I ever wanted to do. And I know I'm not unique. There are thousands like me in similar situations, with more talent, more knowledge, more invested in what they love.

And now the arts and humanities will be clouded with AI content that will eventually cannabalize itself. I am now not qualified to do my job, my passion, because I'm trained, and it'll cost less to have some prompt monkey plug in random words to try to get a half decent result. I can't appreciate anything that I see on my feed at first glance, because I have to count the fingers and look for flaws like some sort of forgery detective at the Louvre. AI art has made me cynical, where as art used to make me feel hopeful and magical. Meta has decided I need AI friends and influencers now while burying the people I want to connect to.

I am angry beyond words.

I don’t need AI, nor do I want it. Kindly stick your prompts in the hell that the NFT monkeys are suffering in.

[rosemaryentombed]

been reading deep space horror novels, and now i cant stop thinking about a bartkon yj AU where they’re a space salvage crew, and their latest scrap is a haunted space vessel. cassie’s captain and chief scraper. timbo’s pilot and the guy who finds the scraps. kon’s on comms and the direct connect to the broader space salvage network. bart’s ship engineer and architect and the one rearranging kon’s guts. jinny’s weaponsmaster and offboard navigator. they picked up kelli on their adventures, so she helps out by cooking, cleaning, and learning how to maintain a spaceship. their ship’s called red tornado who’s also the AI onboard. there is a demon on the haunted space vessel they’re scraping, and nobody’s going anywhere bc they’re greedy fucks who want their percentage of the scrap sales, but also they kinda love each other but space capitalism is hell. bart and kon absolutely have sex on the haunted space vessel. kon absolutely gets possessed. tim hallucinates boyfriend bernard who’s back on earth. cassie’s anxiety spikes and her panic attacks start to fuck up her judgement, and so on and so forth.

[randomvarious]

Today's compilation:

Ccommd IV 2002 IDM / Abstract

Continuing this foray into the now-ancient, pre-social media days of online music community building with this highly ephemeral, half-decent IDM comp from 2002 that was made by the message board denizens of the website of Warp Records. Warp itself had long carried the torch of being the world's premier IDM label, and the folks who contributed to this album seem to have been highly inspired by a bunch of their own acts, like Aphex Twin, Squarepusher, Autechre, Boards of Canada, and a whole bunch of others.

And knowing that these musicians loved Warp to the point that they'd be regular contributors to its own message board kinda makes me feel that, while listening to this, I am myself someone at the label who's constantly seeking out fresh talent and wades through neverending, enormous piles of demos that they've received. And I've just happened to pop this Ccommd IV CD into my changer to see if anything might catch my ear 🤞.

Except, in reality, I didn't actually find this one on CD, because apparently, virtually no one can. It's not currently for sale on Discogs, it's never been sold there, and only 4 users on the site claim to own a copy right now. Super rare!

But thankfully, although it's been long out of print, the UK-based collective that was responsible for putting it out originally, TEFOSAV (The Electronic Foundation of Sound and Vision) records, has made it available on their own Bandcamp site for free, which is where I was able to come across it 👍.

So what we have here in the fourth installment of this Warp-inspired series, as is probably somewhat average for someone who gets tasked with listening to demos, is a comp with a good deal of half-baked clunk on it and a few nice gems too. The album hits back-to-back with Sktbx's "Wikal - Butcheredcetacea Mix" and Orange Dust's "Bitmap Sunset," both of which should have you feeling like you've come across a pretty sweet, nearly-lost-to-the-y2k-Internet-sands-of-time IDM goldmine. But most of what then follows that beginning turns out to be pretty underwhelming 😔.

That is until the grand finale, with Autofire's "Boots Akid (Nautilus Remix)," which is one of those songs that specializes in the art of splicing together multiple split-second samples of various bits of sound in order to construct melodies and rhythms out of them. I especially love when people do this type of stuff because I feel like it's such a meticulous process to make these collages in the first place, and it also happens to throw up a big middle finger and shit-eating-grin to the absurd copyright police, who can't sue you if the provenance of the minuscule bit that you've sampled is actually unknowable 😁. That said, though, I'm pretty sure I can hear the distinct voice of a very prominent TV character in this one. Not gonna give it away for fear that some big, evil, corporate web scraper comes across this post and files a cease-and-desist and/or lawsuit because of me—these posts show up in Google searches, folks!—but I'm pretty sure I'm hearing that voice. And Nautilis, by the way (yes, I know, I spelled it as Nautilus before, because that's how it was written on the tracklist!), had already made his first release on Mike Paradinas' (µ-Ziq) Planet Mu label the year before this album itself was released.

So, I had a feeling that I knew what I was getting myself into with this from jump, because most comps of this type aren't likely to consistently knock it out of the park, but given that fact, this album was still able to satisfy enough. So far, this little online y2k-era archaeology project of mine's been fun, even if a good portion of the music's ended up leaving a bit to be desired.

And for more posts like this one, check out Finnish label Luumu's Into the Core of Luumu and this double-disc that was made by folks from the ambient mailing list of pioneering online electronic music resource, Hyperreal, too ✌️.

Highlights:

Sktbx - "Wikal - Butcheredcetacea Mix" Orange Dust - "Bitmap Sunset" Pro(xy) - "D.C.K." Autofire - "Boots Akid (Nautilus Remix)"

[tsreviews]

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[annachum]

Some places in Wrath ( part 1 )

Los Satanios

The capital of Los Satanios serve as the central administrative place of Wrath. Inspired by El Paso, Houston Texas and Mexico City, the Metropolitan Wrath Capital boasts the largest sales of ranchero and Tejuano music, and also filled with bustling bars and sky high sky scrapers

Rodeo Town

Rodeo Town, where Millie Fireburts grew up, is one of the many ranch towns in Wrath. It is more ' low key ' than Los Satanios, yet it boasts some of the toughest farmers and ranchers around. Such ranch towns are amongst major pillars of dairy and butchery in Wrath

[softwareerp]

Restaurant software is the best restaurant management system with a website and mobile application. You need a business plan and restaurant management system to accelerate your restaurant business. We have created a cost-effective software for you so that your restaurant billing software or restaurant POS software work together.

[as-dreamers-do]

added a bench scraper to my kitchen equipment the other week courtesy of a church acquaintance's yard sale and just used it for the first time tonight to transfer chopped veggies from the cutting board to the pot

my life is changed it was so satisfying and easy best fifty cents i've ever spent

[cypress-punk]

The plan to track unity installs involves Spyware they're baking into the engine. That's the 'proprietary software'.

I haven't seen any information confirming that they actually intend to put Spyware into the Unity runtime, it wouldn't surprise me if they did though. However the proprietary stuff I mentioned in an earlier post was described as an internal thing that they spoke of as if it already existed. That implies that the Spyware is already there or that it's some other means of data collection, likely some kind of scraper monitoring storefronts and info from developers.

Unity devs would probably know if there was Spyware already present because there would be anomalous network activity out of their apps, unless it's very, very good Spyware which I simply don't believe Unity would be capable of inserting into their product successfully. And if it is there, and no one knows, then that's grounds for more lawsuits.

In any case I really doubt there's any form of Spyware that could give them accurate info on the number of installs. Also if it's built right into the Unity runtime I imagine it wouldn't take much time for people to crack it open, find it, and circumvent it. No matter how they intend to do this, and I genuinely believe they don't actually have a plan, the shot callers just made this policy and told their techs to make it work without consulting anyone with a brain to find out if it was even possible, it won't work. Especially since they're trying real hard to not give anyone any details on this system, that leads to believe there is no system.

Also the way you can tell this is all bullshit is that it has completely skipped over the reasonable, actually possible, able to be put into practice form of rent seeking you would expect someone like Unity to enforce and thats profit sharing. It makes way more sense to demand a cut of each sale because you can actually track that information very easily. But they've gone for an impossible, greedy pipe dream because they realized that a game, once sold, can be installed more than once and want to try and squeeze blood from the wrong fucking stone.